You must have a verified account to send a message to a user not on your friend list. To verify your account, please check your email and follow the directions listed.
Would you like to be resent this verification email?
Invia messaggio
Invia a:
Messaggio:
0 / caratteri usati
Regalo:
( cr) da
( cr) da
( cr)
*Scegli il prodotto OPPURE la musica da inviare come regalo
Prodotto regalo:
Carta regalo:
N.B.: I regali possono essere acquistati solo con credits.
NUOVO!Consegna:
Resetta la lista regali: Per rimuovere definitivamente i tuoi prodotti dalla lista dei regali per favore Clicca qui
In the early '90s, it was grunge; everybody was fully clothed. Alanis Morissette was one of the biggest artists in the world, never wore makeup, wearing Doc Marten boots, and then the Spice Girls turn up, and suddenly it all looks a bit burlesque; suddenly they're the biggest band in the world.
Grunge was so self-consciously lowbrow and nonaspirational that it seemed, at first, impervious to the hype and glamour normally applied swiftly to any emerging trend. But sure enough, grunge anthems found their way onto the soundtracks of television commercials, and Dodge Neons were hawked by kids in flannel shirts saying, 'Whatever.'
Musicians are often asked to answer for an entire culture, or for an entire movement. It's a process of commodification. It becomes packaged and summarized in a word like 'emo' or 'grunge'... or 'folk music.' I think that's just language itself, trying to und